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001    982091801 
003    OCoLC|blk 
005    20210329111151.0 
008    171013s2017    mnua     b    001 0 eng   
010    2017042186 
016 7  019144004|2Uk 
019    1039699280|a1085635605 
020    9781517901738|qpaperback|qalkaline paper :|c$24.95 
020    1517901731|qpaperback|qalkaline paper 
020    9781517901721|qhardcover|qalkaline paper 
020    1517901723|qhardcover|qalkaline paper 
024 8  99974554295 
035    (OCoLC)982091801|z(OCoLC)1039699280|z(OCoLC)1085635605 
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042    pcc 
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049    ORLL 
092    306.768|bSNO 
100 1  Snorton, C. Riley,|eauthor. 
245 10 Black on both sides :|ba racial history of trans identity 
       /|cC. Riley Snorton. 
246 30 Racial history of trans identity 
264  1 Minneapolis, MN :|bUniversity of Minnesota Press,|c[2017] 
300    xiv, 259 pages :|billustrations ;|c23 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references (pages 205-243) and 
       index. 
505 0  Blacken. Anatomically speaking : ungendered flesh and the 
       science of sex -- Trans capable : fungibility, fugitivity,
       and the matter of being -- Transit. Reading the "trans-" 
       in transatlantic literature : on the "female" within Three
       Negro classics -- Blackout. A nightmarish silhouette : 
       racialization and the long exposure of transition -- 
       DeVine's cut : public memory and the politics of 
       martyrdom. 
520 8  The story of Christine Jorgensen, Americas first prominent
       transsexual, famously narrated trans embodiment in the 
       postwar era. Her celebrity, however, has obscured other 
       mid-century trans narratives-ones lived by African 
       Americans such as Lucy Hicks Anderson and James McHarris. 
       Their erasure from trans history masks the profound ways 
       race has figured prominently in the construction and 
       representation of transgender subjects. C. Riley Snorton 
       identifies multiple intersections between blackness and 
       transness from the mid-nineteenth century to present-day 
       anti-black and anti-trans legislation and violence. 
       Drawing on a deep and varied archive of materials--early 
       sexological texts, fugitive slave narratives, Afro-
       modernist literature, sensationalist journalism, Hollywood
       films--Snorton attends to how slavery and the production 
       of racialized gender provided the foundations for an 
       understanding of gender as mutable. In tracing the twinned
       genealogies of blackness and transness, Snorton follows 
       multiple trajectories, from the medical experiments 
       conducted on enslaved black women by J. Marion Sims, the 
       father of American gynecology, to the negation of 
       blackness that makes transnormativity possible. Revealing 
       instances of personal sovereignty among blacks living in 
       the antebellum North that were mapped in terms of cross 
       dressing and canonical black literary works that express 
       black mens access to the female within, he concludes with 
       a reading of the fate of Phillip DeVine, who was murdered 
       alongside Brandon Teena in 1993, a fact omitted from the 
       film Boys Don't Cry out of narrative convenience. 
650  0 Transgender people|zUnited States. 
650  0 African American transgender people. 
650  0 Transgender people|xIdentity. 
650  0 Racism|zUnited States. 
650  0 ocls black history 
650 12 Transgender Persons.|0(DNLM)D063106 
650 12 African Americans.|0(DNLM)D001741 
650 22 Racism.|0(DNLM)D063505 
650 22 Gender Identity.|0(DNLM)D005783 
650 22 Sexual and Gender Minorities.|0(DNLM)D000072339 
655  4 Nonfiction. 
938    Brodart|bBROD|n119630664 
938    Brodart|bBROD|n119630435 
938    YBP Library Services|bYANK|n13959578 
938    YBP Library Services|bYANK|n13959577 
938    Baker and Taylor|bBTCP|nBK0020605567 
938    Erasmus Boekhandel|bERAA|nNTS0000264744 
994    C0|bORL